diff --git a/css/default.css b/css/default.css new file mode 100644 index 0000000..c688942 --- /dev/null +++ b/css/default.css @@ -0,0 +1,52 @@ + diff --git a/index.html b/index.html index 46ce7c9..7e50946 100644 --- a/index.html +++ b/index.html @@ -3,58 +3,7 @@ The Early History Of Smalltalk - +

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Abstract

Most ideas come from previous ideas. The sixties, particularly in the ARPA community, gave rise to a host of notions about "human-computer symbiosis" - through interactive time-shared computers, graphics screens and pointing + through interactive time-shared computers, graphics screens and pointing devices. Advanced computer languages were invented to simulate complex systems such as oil refineries and semi-intelligent behavior. The soon-to-follow paradigm - shift of modern personal computing, overlapping window interfaces, and + shift of modern personal computing, overlapping window interfaces, and object-oriented design came from seeing the work of the sixties as something more than a "better old thing." This is, more than a better way: to do mainframe computing; for end-users to invoke functionality; to make data structures more @@ -95,7 +44,7 @@

Abstract

handheld "Dynabook" in a way that would not be possible on a shared mainframe; millions of potential users meant that the user interface would have to become a learning environment along the lines of Montessori and Bruner; and - needs for large scope, reduction in complexity, and end-user literacy would + needs for large scope, reduction in complexity, and end-user literacy would require that data and control structures be done away with in favor of a more biological scheme of protected universal cells interacting only through messages that could mimic any desired behavior. @@ -105,10 +54,10 @@

Abstract

as parented by its many predecessors in hardware, language and user interface design. It became the exemplar of the new computing, in part, because we were actually trying for a qualitative shift in belief structures—a new Kuhnian paradigm - in the same spirit as the invention of the printing press—and thus took + in the same spirit as the invention of the printing press—and thus took highly extreme positions which almost forced these new styles to be invented.

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